Tumble — The band departs from initial funk together in a rocking progression with Peter laying down chunky guitar behind Rick's soloing. Downshifts with a major modulation and follows a familiar uplifting pattern as Cotter pushes the tempo. Hits a strong peak before returning to funk and hints at "Arrow" ahead of the song's conclusion.
Set II
4 songs · 1h 9m
0:001h 9m
The set as tape — each song is as wide as it is long, segued songs run on unbroken tape (split by a splice, not a gap), and jams burn.
Thatch — Circular patterns of tension and darkness develop as Cotter's fluidity shines. Builds layers and layers of unease as Peter hits sirens and Rick gets dissonant. Amazing stuff that can be likened to a mid-90s "Stash."
Red Bird — Roaring down the open road, radio blaring “...and the road goes on forever I’ve got one more silver...”, feeling mellow mischievous, the sea pans into view. Now barreling along the cliffs the Rider abruptly plunges into the sea, radio cut dead in the depths replaced by embryonic deep whooshing saline heartbeat. Feeling a needful pull toward the surface a triumphant new driving rhythm crackles the airwaves while screaming ablaze toward shouts emanating from vermin in their wooden coffin soon-to-be a pyre.
1Tomorrow Never Knows — The Beatles. With Welcome to Delta teases from Peter.
Tomorrow Never Knows — Blasts out of an excellent "Red Bird" into a blistering hot jam.
Encore
1 song · 8:04
0:008:04
The set as tape — each song is as wide as it is long, segued songs run on unbroken tape (split by a splice, not a gap), and jams burn.